Last week, the Knoxville Symphony Orchestra treated kids from Knox County and surrounding schools to a wonderful program of music with a “Musical Superheroes” theme as part of the KSO’s popular Young People’s Concerts.
KSO Resident Conductor James Fellenbaum was in control and at ease with the skill of a master storyteller. He provided lively, concise introductions noting each composer’s “super power,” hamming it up for the delighted audience.
The “Star-Spangled Banner” kicked off the concert of selections familiar and not-so-familiar. The Civic Auditorium was full of the sound of thousands of toes tapping during the second movement of Haydn’s “Surprise” Symphony.
Seventeen-year-old flutist Laura Kappa joined 14-year-old harpist Naomi Falconnier as soloists on a concerto by Mozart. Both are members of the Knoxville Symphony Youth Orchestra.
There were squeals of recognition as the first strains of Beethoven’s “Fifth Symphony” came from the stage. Dancers from Go! Contemporary Dance Works provided a beautiful, moving tableau to illustrate Debussy’s “Prelude to the Afternoon of a Faun.”
For the percussive blast of an excerpt from Stravinsky’s “The Firebird,” Maestro Fellenbaum encouraged the children to use their imagination to picture themselves triumphing against evil in their own scary adventure.
Rounding out the show was the “Theme from Superman” by John Williams, for which the conductor donned a Superman shirt and cape. At the risk of having an English teacher admonish me for ending a sentence with a preposition … the kids ate it up!
KSO Director of Education and Community Partnerships Jennifer Barnett works closely with the Knox County Public School System to make exciting live musical performances part of kids’ learning experience. For more info on the KSO’s educational outreach program, call Jennifer at 521-2305 or visit www.knoxvillesymphony.com
Playlist:
1. Heroes - David Bowie
2. Be Young, Be Foolish, Be Happy - The Tams
3. American Tune - Paul Simon
4. Little Child - The Beatles
5. Leader of the Band - Dan Fogelberg
6. Mr. Brightside - The Killers
7. Talk about the Passion - R.E.M.
8. I've Got to use my Imagination - Gladys Knight & the Pips
9. Superman - The Kinks
10. That's Really Super, Supergirl - XTC
Saturday, October 31, 2009
Saturday, October 24, 2009
Getting the Message
With everyone texting and twittering these days, I have a feeling some kids aren’t learning proper phone etiquette anymore.
I remember as a kid being taught to answer the phone “Schoen residence, Emily Schoen speaking.” Short and sweet, direct and helpful. Not like what I hear nowadays.
Of course back then (somewhere in the mid-Paleolithic era), people had the advantage of knowing that if they were calling someone and the phone stopped ringing, it was because someone was actually on the other end. These days you’re more likely to reach someone’s answering machine than you are a real person.
That’s as much due to Caller ID as it is answering machines; we’ve all pretended we’re not home so we don’t have to talk to an unwanted caller. A hopeful “Hello!” has been replaced with this yell to whatever family member is nearest the dreaded home phone: “Don't answer! Let the machine pick up!”
Here are some tips on leaving messages:
* Don’t assume I recognize your voice. Always identify yourself. Follow this by stating your telephone number. Many callers have assumed I have Caller ID and redial. Sadly, they’ll never hear back from me because they didn’t leave their number.
* Don’t yell into your phone. This causes a distortion that’s like trying to make out what Peter Frampton is saying on those songs where he uses the vocoder. So much of life is distorted – I don’t need another thing that’s hard to figure out!
* On the other hand, don’t mutter into your phone like you’ve just had a shot of Novocaine. Speak clearly and slowly. A little consideration will make life easier for everyone concerned.
* Keep it short, and stick to the basics. For an invitation, give me the event, the date, the time and place, and any cost. I might have one of those answering machines that only allows 30-second messages.
* Kids: answering the phone should not be a chance to show off your vocal power. Calling “Mom!” at the top of your lungs doesn’t work unless you’re on the high-dive at the swimming pool. Just put the phone down gently, walk over to mom and tell her she has a phone call. And Mom: you might want to ratchet down “Wheel of Fortune” just a bit before coming on the line.
* And finally, a plea for sanity with regard to outgoing message greetings. We don’t really care what your favorite song is, and we shouldn’t have to sit through it before leaving our message. And if you have a child, please for God's sake don’t record your 4-year-old for your outgoing greeting. The kid may be adorable, but sometimes the phone is a business tool. Someone doesn’t want to have to hear baby-talk in order to leave a message for daddy about that job he’s getting. No? OK, well maybe they’ll just hang up and go to the next guy on the list!
Playlist:
1. The Message - Grandmaster Flash
2. Something to Talk About - Bonnie Raitt
3. A Little Less Conversation - Elvis Presley
4. Who Are You - The Who
5. I Think I Can Hear You - Carole King
6. Speak Softly Love - Andy Williams
7. The Great Pretender - The Platters
8. Meet Me Halfway - Black Eyed Peas
9. Treat Me Right - Pat Benatar
10. I've Gotta Get a Message to You - Bee Gees
Playlist:
1. The Message - Grandmaster Flash
2. Something to Talk About - Bonnie Raitt
3. A Little Less Conversation - Elvis Presley
4. Who Are You - The Who
5. I Think I Can Hear You - Carole King
6. Speak Softly Love - Andy Williams
7. The Great Pretender - The Platters
8. Meet Me Halfway - Black Eyed Peas
9. Treat Me Right - Pat Benatar
10. I've Gotta Get a Message to You - Bee Gees
Sunday, October 11, 2009
Beating the Odds
For Central High grads Ashley and Chris Ward, the birth of their daughter Josslyn Rose Ward has been a long and bumpy ride, and scarier than most.
The trouble began when Ashley, a stylist at City Salon, experienced abdominal pain during her 23rd week of pregnancy. She was diagnosed with HELLP syndrome, a severe type of preeclampsia in which Ashley's life-giving placenta became toxic to her own system.
Babies aren't normally born until around the 40th week, so Ashley and Chris knew that a tough decision had to be made quickly. They opted to admit Ashley to U.T. Medical Center, where the top-notch team at the Neonatal Intensive Care Unit was in place and ready to give the baby a good fighting chance at survival.
Turns out the Wards made a very good decision. Josslyn Rose was born May 5th, and last Friday she left the U.T. Medical Center's NICU at a healthy 7 pounds, 13 ounces.
Babies born this premature are referred to as "micro-preemies," but that hardly conveys the living miracle of modern science that is Josslyn Rose. Consider this: at her birth back in May, she weighed a mere 390 grams, which is only an ounce or so more than your basic 12-oz. can of soda.
With the optimism and expertise of the caregivers at U.T. Medical Center, and a whole lot of praying by the Wards, their family, church, and friends, Josslyn was able to beat the "5% chance of survival" odds that the doctors had given her. In fact, Ashley and Chris credit much of Josslyn's success story to that extended circle of support that they relied on throughout the nerve-wracking period since the devastating diagnosis.
Faith is a powerful thing. It can give you strength you never knew you had. In the middle of their ordeal, the Wards even found time to help out other premature babies at U.T. by donating their time to help with a recent blanket drive sponsored by Central Baptist of Fountain City, where the Wards are active members.
Against all odds, Josslyn is now relatively healthy and has been breathing on her own for roughly two months.
So faith and science came together to save a miracle baby, only the third-most-premature ever to survive out of U.T. Medical Center. These days some folks are bent on convincing us that one or the other is in charge. Inspiring stories like the Wards' convince me that the two aren't mutually exclusive.
Playlist:
1. A Little Good News — Anne Murray
2. B-A-B-Y — Carla Thomas
3. Isn’t She Lovely — Stevie Wonder
4. Baby It’s You — The Beatles
5. Chances Are — Johnny Mathis
6. You Better Pray — Red Jumpsuit Apparatus
7. Long Time Gone — Crosby, Stills & Nash
8. I’m Comin’ Home Baby — Mel Tormé
9. Tiny Dancer — Elton John
10. We Three — Frank Sinatra
The trouble began when Ashley, a stylist at City Salon, experienced abdominal pain during her 23rd week of pregnancy. She was diagnosed with HELLP syndrome, a severe type of preeclampsia in which Ashley's life-giving placenta became toxic to her own system.
Babies aren't normally born until around the 40th week, so Ashley and Chris knew that a tough decision had to be made quickly. They opted to admit Ashley to U.T. Medical Center, where the top-notch team at the Neonatal Intensive Care Unit was in place and ready to give the baby a good fighting chance at survival.
Turns out the Wards made a very good decision. Josslyn Rose was born May 5th, and last Friday she left the U.T. Medical Center's NICU at a healthy 7 pounds, 13 ounces.
Babies born this premature are referred to as "micro-preemies," but that hardly conveys the living miracle of modern science that is Josslyn Rose. Consider this: at her birth back in May, she weighed a mere 390 grams, which is only an ounce or so more than your basic 12-oz. can of soda.
With the optimism and expertise of the caregivers at U.T. Medical Center, and a whole lot of praying by the Wards, their family, church, and friends, Josslyn was able to beat the "5% chance of survival" odds that the doctors had given her. In fact, Ashley and Chris credit much of Josslyn's success story to that extended circle of support that they relied on throughout the nerve-wracking period since the devastating diagnosis.
Faith is a powerful thing. It can give you strength you never knew you had. In the middle of their ordeal, the Wards even found time to help out other premature babies at U.T. by donating their time to help with a recent blanket drive sponsored by Central Baptist of Fountain City, where the Wards are active members.
Against all odds, Josslyn is now relatively healthy and has been breathing on her own for roughly two months.
So faith and science came together to save a miracle baby, only the third-most-premature ever to survive out of U.T. Medical Center. These days some folks are bent on convincing us that one or the other is in charge. Inspiring stories like the Wards' convince me that the two aren't mutually exclusive.
Playlist:
1. A Little Good News — Anne Murray
2. B-A-B-Y — Carla Thomas
3. Isn’t She Lovely — Stevie Wonder
4. Baby It’s You — The Beatles
5. Chances Are — Johnny Mathis
6. You Better Pray — Red Jumpsuit Apparatus
7. Long Time Gone — Crosby, Stills & Nash
8. I’m Comin’ Home Baby — Mel Tormé
9. Tiny Dancer — Elton John
10. We Three — Frank Sinatra
Sunday, October 4, 2009
Big Band, Big Fun
Last week I heard some world-class jazz at the Bijou.
Vocalist Deborah Brown and the Knoxville Jazz Orchestra performed selections from the Great American Songbook featuring Duke Ellington, Irving Berlin, Hoagy Carmichael, George Gershwin and others.
It was an unforgettable evening.
Deborah Brown is an internationally renowned singer who has worked with bands and arrangers the world over and appears on numerous CDs. This is her third time performing with the Knoxville Jazz Orchestra. Good things come in threes. KJO, Deborah Brown and some of the nicest arrangements I've ever heard, some being sung live by Brown for the first time, combined for a tasty mix of swinging classics.
Award-winning trombonist Don Hough conducted an expanded KJO that included selected players from the Knoxville Symphony Orchestra. Hough joked that it was a thrill to be working with “real musicians.” In my book, they’re all cracker-jack; the Knoxville Jazz Orchestra is in its 10th season of wowing audiences with their top-flight big-band sound. I knew right away that it would be a very special show.
Deborah Brown has a voice like very good, very old whiskey: warm, pure and infinitely satisfying.
The sound is a triple threat all its own: the sassy lightness of Natalie Cole, beautifully controlled phrasing reminiscent of a young Sarah Vaughan and the impeccable fluidity of Ella Fitzgerald. The latter was best shown off when Brown doubled the sax section for intricate breaks on “Mood Indigo” and “Our Love is Here to Stay.” She made it look easy.
The rock-solid rhythm section of Rusty Holloway on bass and Keith Brown on drums was impressive, especially on “Just in Time,” which sent us careering to intermission at the break-neck speed of a thoroughbred horse.
It’s a good thing I was sitting alone in a press box – I’m sure my constant toe-tapping would have driven someone crazy if they’d had to sit next to me!
Notable also was the sheer force of the KJO brass section. It rushed forth with the power of a Waimea wave; it was a living, breathing sound of masterly precision. This was better than a recording. There’s nothing like live music to remind you of what it's all about: the genius of talented composers, arrangers, singer and musicians all coming together at the top of their game.
Hear the Knoxville Jazz Orchestra this fall at one of its “Jazz Lunch at the Square Room” shows at noon on the first Wednesday of the month, or catch the popular program “A Swingin’ Christmas” on Tuesday, Dec. 22. Go to www.knoxjazz.org for details.
How's this for a note-worthy trio: the Knoxville Jazz Orchestra, your favorite tunes and you!
Playlist:
1. Unforgettable — Nat “King” Cole
2. Easy to Love — Ella Fitzgerald
3. Thank You Girl — The Beatles
4. Sing, Sing, Sing — The Benny Goodman Orchestra
5. Sing a Song — Earth, Wind & Fire
6. Dancing Shoes — Arctic Monkeys
7. Blow Gabriel Blow — Martha Tilton
8. Too Marvelous for Words — Frank Sinatra
9. Get Rhythm — Johnny Cash
10. Three is a Magic Number — Blind Melon
Vocalist Deborah Brown and the Knoxville Jazz Orchestra performed selections from the Great American Songbook featuring Duke Ellington, Irving Berlin, Hoagy Carmichael, George Gershwin and others.
It was an unforgettable evening.
Deborah Brown is an internationally renowned singer who has worked with bands and arrangers the world over and appears on numerous CDs. This is her third time performing with the Knoxville Jazz Orchestra. Good things come in threes. KJO, Deborah Brown and some of the nicest arrangements I've ever heard, some being sung live by Brown for the first time, combined for a tasty mix of swinging classics.
Award-winning trombonist Don Hough conducted an expanded KJO that included selected players from the Knoxville Symphony Orchestra. Hough joked that it was a thrill to be working with “real musicians.” In my book, they’re all cracker-jack; the Knoxville Jazz Orchestra is in its 10th season of wowing audiences with their top-flight big-band sound. I knew right away that it would be a very special show.
Deborah Brown has a voice like very good, very old whiskey: warm, pure and infinitely satisfying.
The sound is a triple threat all its own: the sassy lightness of Natalie Cole, beautifully controlled phrasing reminiscent of a young Sarah Vaughan and the impeccable fluidity of Ella Fitzgerald. The latter was best shown off when Brown doubled the sax section for intricate breaks on “Mood Indigo” and “Our Love is Here to Stay.” She made it look easy.
The rock-solid rhythm section of Rusty Holloway on bass and Keith Brown on drums was impressive, especially on “Just in Time,” which sent us careering to intermission at the break-neck speed of a thoroughbred horse.
It’s a good thing I was sitting alone in a press box – I’m sure my constant toe-tapping would have driven someone crazy if they’d had to sit next to me!
Notable also was the sheer force of the KJO brass section. It rushed forth with the power of a Waimea wave; it was a living, breathing sound of masterly precision. This was better than a recording. There’s nothing like live music to remind you of what it's all about: the genius of talented composers, arrangers, singer and musicians all coming together at the top of their game.
Hear the Knoxville Jazz Orchestra this fall at one of its “Jazz Lunch at the Square Room” shows at noon on the first Wednesday of the month, or catch the popular program “A Swingin’ Christmas” on Tuesday, Dec. 22. Go to www.knoxjazz.org for details.
How's this for a note-worthy trio: the Knoxville Jazz Orchestra, your favorite tunes and you!
Playlist:
1. Unforgettable — Nat “King” Cole
2. Easy to Love — Ella Fitzgerald
3. Thank You Girl — The Beatles
4. Sing, Sing, Sing — The Benny Goodman Orchestra
5. Sing a Song — Earth, Wind & Fire
6. Dancing Shoes — Arctic Monkeys
7. Blow Gabriel Blow — Martha Tilton
8. Too Marvelous for Words — Frank Sinatra
9. Get Rhythm — Johnny Cash
10. Three is a Magic Number — Blind Melon
